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Driving Miss Daisy

By Alfred Uhry

The place is the Deep South, the time 1948, just prior to the civil rights movement. Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie, that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer’s patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible—and that times and circumstances would ever allow them to publicly admit.

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NEW JERSEY STAGE

"Unobtrusively directed by Mark Cirnigliaro, the actors lend Uhry's tenuous play a transforming weight and substance. "

"The beauty of the production is the three actors gracefulness and articulate chemistry."...

HUDSON REPORTER

"director Mark Cirnigaliaro, who lets the scenes, actors and characters breathe"

"Sit back, buckle in and let Mile Square Theatre take you on a ride you’ll not soon forget."

NJARTS.net

"Barbara Broughton is "flawless" as Daisy and "Count Stovall matches her tic for tic as the well-meaning Hoke. Don’t forget to bring a hankie."

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